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The Bushmen have always been able to survive as hunters/gatherers in the arid habitat of the Kalahari Desert by utilising the desert’s resources in very

Inspired by Lysistrata, one of the few surviving plays written by Aristophanes and originally performed in classical Athens in 411 BC; this work depicts women’s

The sculpture portrays the subconscious wish to return to the mother’s womb for the security and safety it provides. The foetal position is symbolic of

The sculpture portrays an Egyptian Pharaoh hunting with bow and arrows. The cheetah he holds on the leash is his hunting aid. It was trained

On a visit to the Kruger National Park in 1986, Tienie had the rare privilege to see two sable bulls fighting in the mud on

Throughout history man has unquestionably believed in the existence of an unseen world, parallel to his own, peopled by gods and supernatural beings that controlled

The sculpture, modeled in 2004, depicts the events that took place in the palace of Herod Antipas in Machaerus, Palestine on Feast Day, 24th June

Tienie Pritchard modelled the original sculpture in 1969 during his first year as a professional sculptor in his studio at Hennops River, near Pretoria. Although

Ndlovunkulu is the name given to Shaka, King of the Zulus, by his underlings. Shaka reigned the Zulu people in Africa in the nineteenth century.

Tienie witnessed this encounter a few years ago at Shimuwini camp in the Kruger National Park.  The duiker was quite tame and stayed within the

In 1970, Tienie sculpted a steenbok pair which was erected at the entrance of the building that housed the National Film Board.  The plaster of

The woman taming the dragon is a metaphor for suppressing strong but negative emotional impulses. Dimensions:  85 cm high x 70 cm x 69 cm